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Home Tutorials Music Production MUSIC THEORY FOR PRODUCERS - MINOR SCALES

MUSIC THEORY FOR PRODUCERS – MINOR SCALES

In this lesson, we will learn how to build minor scales. If you’re already familiar with how to build major scales, you will be able to learn it easily. However, if you’re still not comfortable with building major scales, I recommend you to read the previous articles about this topic.

Although a good number of songs in popular music are written using major scales, it’s good to know that a lot of songs are also written using minor scales. One thing to point out is that Western music composers use mostly major and minor scales, although some of them create songs using modes or even other types of scales.

There are three types of minor scales: natural, harmonic and melodic. Today we will learn the natural minor scale.

Natural Minor Scale

 While the Major scale will have half steps between 3rd/4th and 7th/8th degrees, the natural minor scale will have half steps between 2nd/3rd and 5th/6th degrees.

The sequence of steps for the minor scale will be: W,H,W,W,H,W,W.

 The A Natural Minor scale is the best example to show because it has no sharps and no flats:

Also, notice that A is the 6th degree of C Major scale:

Now let’s build an E Natural Minor scale following the sequence of steps:

Notice that I had to sharp the F note, so that we could have a half step from degrees 2 to 3.

Also, notice that E is the 6th degree of G Major scale:

See the pattern? If you start a major scale by its 6th degree, you will have a Natural Minor scale, because it will follow the correct sequence of half steps and whole steps. So, here’s the first rule: every major scale has a relative natural minor scale (and vice versa).

With that said, here’s what we need to know to build any natural minor scale:

  1. Every major scale has a relative natural minor scale;
  2. Every natural minor scale has a relative major scale;
  3. The relative minor scale and the major scale will share the same key signature;
  4. A natural minor scale starts in the 6th degree of a major scale (so, the 6th degree of a major scale will be the tonic of a minor scale).

Working with this idea of relative scales will save us from counting half and whole steps to build the minor scale since we will already know the key signature.

A fast way to find the relative minor scale of a major one is to go down the tonic 3 half steps. Take as an example the C Major scale. Going down 3 half steps from C will be an A. So, A Minor will be C Major’s relative scale.

Similarly, if you want to find the relative major scale of a minor scale, just go up the tonic 3 half steps. Let’s use the A Minor scale as an example. Going up 3 half-steps from A will lead us to C:

Let’s use these steps to build another natural minor scale: D Minor scale:

– D is the tonic;

Now we need to find the key signature of D Minor. To do that, let’s find out what is the relative major scale of D Minor.

– Go up 3 half steps from D:

So, F is D Minor’s relative major scale. Let’s remember the F Major scale:

Using music notation:

Notice that the key signature has 1 flat (Bb).

So, all we need to do is to keep the key signature and start the scale with D. Here’s D Minor scale:

Using music notation:

It’s important that you’re familiar with major scales to easily master natural minor scales.

That’s it! In the next lesson, we will continue to build natural minor scales.

Happy productions!

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FrancisHamzagichttp://www.francishamzagic.com%20
Pianist, keyboardist and music producer.
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